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Melis Ugurlu (b.1993, Istanbul) is an editor, writer, and designer of architecture based in London. She works independently and collaboratively on projects that span interior and furniture design, research and publications, and exhibitions and installations. Melis is a contributing editor of the Avery Review and collaborates with Territorial Agency, currently on the publications of How Heavy is a City? for the 2025 Lisbon Triennale. Previously, Melis was assistant curator at the 2021 Venice Architecture Biennale, and edited for the Pavilion of Turkey, titled Architecture as Measure and led by Neyran Turan.

︎︎︎More 


SELECTED WORK:


Editorial

︎︎︎The Avery Review
︎︎︎Architecture as Measure, Pavilion of Turkey Online Publication
︎︎︎PLAT 6.0 Absence
︎︎︎PLAT 5.5 Re:License
︎︎︎CLOG x Artificial Intelligence

Curatorial, Exhibition, Research

︎︎︎The Pavilion of Turkey, Venice Architecture Biennale 2021
︎︎︎Museum of Lost Volumes
︎︎︎STRAIT, SALT Gallery 

Writing

︎︎︎The Elephant in the Gallery
︎︎︎RSVP for Location
︎︎︎The Culture of the Ephemeral, Conglomerate, and Transient
︎︎︎New York Review of Architecture Dispatch: Bowery

Architecture, Interior Design

︎︎︎The Sloane Street Deli
︎︎︎Christian Louboutin, La Salvada House

Objects

︎︎︎Pliable: Bag as Billboard
︎︎︎3 Feet Deep Records




Melis holds an MA in History and Critical Thinking (HCT) from the Architectural Association and received her Bachelor of Architecture (2017) and Bachelor of Arts in Architecture (2015) degrees from Rice University. Her research is situated at the intersection of environmental justice, material ethics, and feminist sensibilities and her MA dissertation explored the dynamic material-histories of concrete through the frameworks of “hydropower relations” and “fluvial feminisms.” Melis is also interested in the active and relational modes of writing architecture histories.



Please get in touch for collaborations, commissions, or just to chat—as well as any other inquiries, including a detailed portfolio and CV. I am currently taking on new editorial and writing work.


 
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