HOME                   ABOUT                                              CONTACT︎︎            
HOME, ABOUT

Melis Ugurlu (b.1993, Istanbul) is an architectural designer, writer, and editor based in London. She currently works independently and collaboratively on projects that span interior and furniture design, research and publications, and exhibitions and installations. Melis is an editor at the Avery Review and was a curator at the 2021 Venice Architecture Biennale, for the Pavilion of Turkey titled Architecture as Measure and led by Neyran Turan.

︎︎︎More 

SELECTED WORK:

Architecture, Interior

︎︎︎The Sloane Street Deli
︎︎︎Christian Louboutin, La Salvada House

Curatorial, Exhibition, Research

︎︎︎The Pavilion of Turkey, Venice Architecture Biennale 2021
︎︎︎Museum of Lost Volumes
︎︎︎STRAIT, SALT Gallery 
MA Thesis

Editorial

The Avery Review
PLAT 6.0 Absence
PLAT 5.5 Re:License
CLOG x Artificial Intelligence

Writing

︎︎︎The Elephant in the Gallery
︎︎︎RSVP for Location
︎︎︎The Culture of the Ephemeral, Conglomerate, and Transient

Objects

︎︎︎Pliable: Bag as Billboard
︎︎︎3 Feet Deep Records


PLAT 6.0 Absence

Type: Print Publication
Position:
Editor-in-Chief
Year:
2017



︎https://www.platjournal.com/issues/60-absence

In our current day and age of spectacle and excess, PLAT 6.0 Absence aims to offer a moment of pause and shift our focus to the quiet, unseen, unnoticed, and rare. This issue of PLAT constructs a nuanced reading of our discipline, arguing that the constant historizations and theorizations of the ‘built’ may have left ‘absence’ undertheorized. Whether tired, bored of, or in an attempt to escape what is constantly there, the editors and contributors of this issue are seduced by absence. Absence is used as a tool to see the world extraordinarily and re-evaluate the “present.” Perhaps it is a simple play of our prefixes: what is unseen is reseen; the deconstructed reconstructed; the indeterminate redetermined; and so on. The collection of work in this issue conveys the range of readings that arise from a word, arguing that, both semantically and derivatively, absence's meaning is manifold. Whether it is through focusing on absence as a physical, social, psychological, economic, destructive, or uncertain entity, the contributors of this issue unwittingly weave together to showcase the superfluity of interpretation.




In our current day and age of spectacle and excess, PLAT 6.0 Absence aims to offer a moment of pause and shift our focus to the quiet, unseen, unnoticed, and rare. This issue of PLAT constructs a nuanced reading of our discipline, arguing that the constant historizations and theorizations of the ‘built’ may have left ‘absence’ undertheorized. Whether tired, bored of, or in an attempt to escape what is constantly there, the editors and contributors of this issue are seduced by absence. Absence is used as a tool to see the world extraordinarily and re-evaluate the “present.”
Perhaps it is a simple play of our prefixes: what is unseen is reseen; the deconstructed reconstructed; the indeterminate redetermined; and so on. The collection of work in this issue conveys the range of readings that arise from a word, arguing that, both semantically and derivatively, absence's meaning is manifold. Whether it is through focusing on absence as a physical, social, psychological, economic, destructive, or uncertain entity, the contributors of this issue unwittingly weave together to showcase the superfluity of interpretation.



 
MELIS UGURLU ©2023                          CONTACT︎︎